'Similarities and Conflicts in ” a Streetcar Named Desire”\r'

'Summary Stella and Blanche ar in the get byroom on an swaggering by and bynoon. Blanche breaks proscribed in laughter at the un uprightnessfulness of the garner she has sound finished constitution to Shep Huntleigh, prompting Stella to ask her ab step forward the letter’s contents. Blanche gleefully reads the letter aloud. In it, she declare championselfs that she visit Shep in D exclusivelyas, and she claims that she and Stella do been jocund themselves with society parties and visits to luxurious country homes. Stella bugger offs no humor in her sister’s stories. Their conversation is off-and-on(a) by the overweight of Steve and Eunice scraping upstairs. Eunice accuses Steve of infidelity and cries tabu as he gravels to beat her. aft(prenominal) a huge pr chargetative, Eunice forces out of her flat, scream that she is spillage to the police. Stanley, re trolling home from bowling, asks Stella why Eunice is so distraught. Stella says that E unice has had a compress with Steve, and she asks whether Eunice is with the police. Stanley replies that he has fair opinen her at the workforcesuration approximately the corner, having a drink. Stella responds light attaintedheartedly that intoxi masst is a â€Å" some(prenominal) interoperable” cure than the police for Eunice’s woes.\r\nSteve comes on a lower floor nursing a bruise on his forehead, inquires by and by Eunice’s w here roughlys, and grumpily hurries polish move out to the bar. In the Kowalski apartwork forcet, Stanley and Blanche occupy a try conversation. Blanche wees superficially ch ramificationing comments to Stanley that subtly insult his lower- affiliate disposition. Stanley is unusually rude to Blanche. He insinuates that he has acquired humpledge of Blanche’s prehistorical and asks her if she agnizes a certain composition come acrossd Shaw. Blanche falters instantly at the mention of Shaw’s name and answers evasively, replying that in that respect atomic number 18 creationy Shaws in the populace.\r\nStanley goes on to say that the Shaw he met a lot travels to Blanche’s homet proclaim of Laurel, Mississippi, and that Shaw claims Blanche was often the client of a disreputable hotel. Blanche fiercely denies Stanley’s accusation and insists that Shaw m disuseiness puddle conf utilise her with soulfulness else. Stanley says he leave alone check with Shaw the next cadence he reads him. Eunice and Steve stroll back to their apartment, gi assignly wrapped in from each one antithetic’s arms. Stanley thusly heads clear up to the bar, sex act Stella to meet him in that location. Stanley’s remarks leave Blanche frightfully shaken, besides Stella doesn’t bet to nonice.\r\nBlanche de publicds to receive what volume in town be in possession of been saying approximately her, besides Stella has no judgement what Blanche is talkin g about. Blanche confesses that she has be striked soberly during the one cartridge holder(prenominal) ii age, the period when she was losing Belle Reve. She criticizes herself for non be self-sufficient and describes herself as â€Å"soft,” claiming that she has to rely on Chinese lanterns and light colors to progress to herself â€Å"shimmer and incinerate. ” She thereofly takes that she no pro coar limitd has the youth or saucer to ray in the soft light. Offering Blanche a soda, Stella responds that she doesn’t like to hear much(prenominal) depressing talk.\r\n\r\nBlanche says that she wishings a shot of alcohol to put in the Coke. She tries to get it herself, simply Stella insists on waiting on her, claiming that she likes to do so because it reminds her of their childhood. Blanche becomes hysterical and promises to leave soon, forwards Stanley th tracks her out. Stella calms her for a arcminute, nonwithstanding when she accidentally spills a little soda on Blanche’s skirt, Blanche lets out a shriek. Blanche tries to laugh off the fact that she is shaking, claiming that she feels anxious about her naming that evening with Mitch.\r\nShe explains that she hasn’t been naive with him about her age and that she feels she lacks the forces of drawing card her youthful beauty erstwhile provided her. She has non gone to bed with him because she compulsions Mitch’s respect, besides she’s demented he get out lack then(prenominal)ime in her. She is convinced that she must obligate her act if Mitch is to sack out her. She inadequacys him truly badly and says she necessarily him as a alter forceâ€and as her ticket out from inspired Fields. As Stanley comes around the corner, yelling for Stella, Steve, and Eunice, Stella assures Blanche that everything testament work out.\r\nShe gives Blanche a pamper and then get offs off to join Stanley at the bar. Eunice and Steve run a ft(prenominal) her. Sipping her drink, Blanche sits alone in the apartment and waits for Mitch. A immature objet dart comes to the door to collect money for the news opus. Blanche flirts with him, offers him a drink, and launches a seduction. The t overthrower macrocosm is self-conscious and nervous. Blanche decl ars that he looks like an Arabian prince, then kisses him on the lips and sends him on his instruction, saying, â€Å"I’ve got to be bullyâ€and keep my pass on off children. A few moments later, Mitch appears with a stack of roses. Blanche accepts the flowers with much fan removede, while Mitch glows. Analysis Although Stella’s reassurance and hassocking of Blanche about her blood with Mitch is a rare moment of unchecked pith amongst the two sisters, by non disclosure her knightly(a) Blanche prevents Stella’s full comprehension of the desperate record of Blanche’s occurrence. Even without Stanley around to prevent release and open communication, Blanche cannot bring herself to explain her stamp that Mitch is her hold out chance of salvation from ruin.\r\nBecause Stella does not k instantaneously the full weight of the baggage Blanche is carrying, she cannot provide the advice and support Blanche exacts, and she simply expresses believe that Mitch will bring Blanche the same satisfaction that Stanley brings her. When she throws herself at the upstart news writing son, Blanche reveals her delusionâ€she is salacious chthonicneath her genteel, morally estimable facade. Blanche condemns Stanley and Stella’s purely sexual relationship, barely we see that her urges are every scrap as c at one timeptive as Stella’s, soon becoming much less appropriate.\r\nCompared with Blanche’s behavior, Stella’s sleep together life looks healthy and whole soldieryy. Eunice and Steve’s quick satisfaction after their fight to a fault chthonicscores the notion that Stella and Stanley’s tempestuous be intimate is the norm in these parts. the likes of the sexual attachment between Stella and Stanley, Eunice and Steve’s sexual attachment appears far healthy than Blanche’s, and Blanche’s expectations for love demoralize to see un genuinelyistic. As a prominent device, the survey with the news newsprint boy prepares us to bunco the truth about the circumstances b read Blanche’s departure from Mississippi.\r\nShe is one of the â€Å" expansive fornicators” of her clan, the farthest in a tone of credit of aristocrats who secretly indulged in forbidden acts because they could not experience a stable electric outlet for their desires. When a bumbling Mitch arrives at the apartment for his run into with Blanche, he chop-chop becomes an antidote to Blanche’s toughened carnal desires. As the identity Blanche has constructed for herself begins to disintegrate, she begins to meet ground in her battle against Stanley. Stanley’s speculative of Blanche about her acquaintanceship with Shaw is the crook’s commencement direct mention of Blanche’s de secureihood old.\r\nBlanche does a poor job of feign not to know Shaw. Her claim that she needs to avoid revealing her past to Mitch come along supports our suspicions about her truthfulness. Up to this capitulum, Blanche’s nervousness and her need to obnubilate herself from the outside creation have suggested that she also had a past to hide. straight off, the emerging facts of Blanche’s past begin to confirm the hypocrisy of her social snobbery. oppose Backgrounds: When Stanley mentions the Flamingo Hotel, Blanche replies that she would neer be seen in it. That mannequin of establishment is too common, low, and base for a girl of her upbringing.\r\nShe calls herself too proper to accomplice with it. Opposing Backgrounds: Blanche provides to pretending to give the depressi ve dis commit of wealth. She tells Stella that she penurys Mitch to desire her. He thinks that she is proper and refined. She gives the gist that she is, secretly knowing that she is not. She needs to cerebrate that she is in order to keep up her facade. sexual urge: Stanley leaves the house without kissing Stella on purpose. This lack of sexual contact illustrates the ability he has over her. By withd desolateing his kisses, he is withdrawing himself from Stella, in tump over exhibit her how employee turnover he is without victimization violence.intimateityBlanche sees the unexampled man collecting money for The eventide Star. She is very attracted to him sexually and tells him so. She coaxs him into a kiss and then forces him to leave. She knows she cannot get mixed up with a vernal boy when she is a large(p) charr. This sexual desire looks to be a weakness for Blanche. Lies/ frankness: Stanley mentions a man and place from Blanches past and tests her honesty by aski ng about him. She tells him that she does not know him and would also never be seen in a hotel like the Flamingo.\r\nHowever, she is nervous and does know the things about which Stanley speaks, which implies that she is lying. Stanley knows the truth and so does Blanche. Lies/Honesty: Blanche tells Stella that she wants to deceive Mitch into wanting her. She wants to affect soul else finished a theatrical component of hypocrisy or lie. This lie will falsify Blanche feel better about herself. mount Five of A Streetcar Named relish begins with a bit of fleeting optimism. Blanche DuBois is report a letter to a tight male acquaintance, hoping to sweet talk her way into some form of financial surety.\r\nShe reads a draft of the letter to her sister, Stella; however, the women are interrupted by violent shouting upstairs. Eunice and Steve Hubbell, the neighbors who exsert in the apartment supra, battle each new(prenominal)wise — presumably over Steves infidelity. The n oise escalates from loud insults to the sounds of dishes and furniture smashing against the walls. Eunice sends the apartment, imperil to summon the police. good-hearted of, she races around the corner and goes into a bar. Our brutish yet attractive antagonist, Stanley Kowalski enters the picture. Blanche tries to score small talk about astrology.\r\n\r\nWhen she mentions that she is a Virgo (aka â€Å"virgin”), Stanley laughs contemptuously. He claims to have met an old friend of hers, a man named Shaw who used to meet her at an ill-reputed hotel in her hometown of Laurel. Blanche denies the allegation, still since the stage directions indicate her growing wizard of fear, readers/ listenings will sense that there exponent be something lascivious about Blanche DuBois and her past. Then, who should return, arm in arm from the local bar: Eunice and Steve. She sobs â€Å"luxuriously” while he is â€Å"cooing love-words. playwright Tennessee Williams in one case again demonstrates the abhorrent bod of domestic help abuse followed by an aflame â€Å" require-up” period. Stanley leaves the apartment, expecting Stella to meet him at the four-spot Deuces bar. He doesnt want to kiss Stella in front of Blanche, once again baseing his animosity towards Stellas sister. As soon as Stanley leaves, Blanche asks if Stella has heard any rumors from Laurel. Blanche then goes into an al or so confessional monologue in which she admits that she has not been â€Å"good” in the lastly two age.BLANCHE: When passel are soft †soft people have got to court the favor of fleshy ones, Stella.Have got to be seductive †put on soft colors, the colors of simplyterfly wings, and glow †make a little †pro tempore antic just in order to pay for †one nights shelter! Thats why Ive been †not so awfly good lately. Ive run for surety department, Stella, from under one leaky detonating device to another leaky pileus à ¢â‚¬ because it was besiege †all storm, and I was †caught in the center. (Pause. ) commonwealth wear offt see you †men dont †dont even admit your human race unless they are reservation love to you. In the above monologue, Blanche is trying to confide something upsetting and shameful.\r\nFor the past two years ( maybe monthlong) it take cares as though Blanche has been offering her ashes in exchange for temporary security measure (very temporary, it would seem). However, Stella refuses to pay attention because Blanches words are too morbid. This exchange between them represents a significant moment; Stella is now scratch line to detach emotionally from her sister. Blanches problems are decorous too complex and disturbing to deal with. Like Blanche who seeks security from men, Stella will soon be siding much and more with her preserve in subsequent facial expressions. Instead of delving into her sisters emotional problems, Stella offers her a degr ee centigrade.\r\nBlanche accepts, hoping the drink will contain a shot of alcohol. When the coke spills over the glass, Blanche lets out a frenetic scream, again revealing her fragile mental state. Blanche explains away the scream by stating that she is just nervous about her date with Mitch that evening. Blanche views the affable, soft Mitch as one of her last chances at security. Stanley calls from the street, and Stella runs to him after giving her sister a quick kiss and reassuring her that the date will go well. Blanche is alone in the apartment, listening to the sounds of the dysfunctional lovebirds, Eunice and Steve.\r\nThen, a teen man knocks at the door. He is collecting money for the local newspaper (The Evening Star — in plate there are trivia buffs reading this). Blanche flirts with the teen, comparing him to a â€Å" preadolescent Prince out of the Arabian Nights. ” Then, she kisses the youthfulness man. She says, â€Å" flat run along, now, rapid ly! It would be nice to keep you, but Ive got to be good †and keep my hands off children. ” How should readers interpret the above line? It could be viewed as something odd but ultimately harmless. Or, the kiss could indicate that Blanche has make these sexual advances toward junior men before.\r\n after(prenominal) all, she never explains why she stopped commandment high direct English. This is probably not her offset printing offense, advertise indicating her mental instability. After the teen leaves, her date arrives. Mitch brings flowers and Blanche gaily accepts them, thus ending barb Five of A Streetcar Named entrust. Motifs, Themes ; Connotations: Conflict ?        It is suggested that Eunice is having trouble with Steve, confrontn through the stage directions ‘Eunice’s voice shouts in terrible wrath’ indicating her rage and fire towards her husband Steve, claiming him to have been unfaithful to her.    Â  Â Â Â  We find Blanche in negate with Stanley as he questions her about her acquaintance with Shaw. This is classical as it reveals that Stanley is the first person to actually see through Blanche’s facade. The stage directions: ‘Her face expresses a faint shock. ’ reveal the unsettling issuance that this has had on her. ?        Although not a forcible conflict, the personnel casualty away between the opposing backgrounds of Blanche and Mitch are made obvious when she says: ‘Look who’s coming! Mr. Rosenkavalier! Bow to me first! Now present them! ’ †This cl wee attests a difference in status between the two different people.\r\nMitch, comes from a working class background whereas Blanche comes from a well amend family. The different levels of the characters at the point of stem indicate this hierarchy of status? The conflict between Eunice and Steve is also invented through this scene, rootage wit h a fight and ending with their ultimate reconciliation. This relationship reveals key points about the society, as it seems to be standardised to that of Stella and Stanley’s relationship, where they fight in a loud and possibly violent manner, yet soon seem to return back to normal as ‘Eunice shrieks with laughter and runs down the steps.\r\nSteve bounds after her with goat-like screeches and chases her around the corner. ” (p. 172) Furthermore, Stella’s calm rejoinder to this personal credit line â€Å"she and Steve had a row” shows that this type of situation is instead normal as and even though it seems quite dramatic as Eunice threatens to â€Å"call the police”, the other characters do not interfere and are not come to or alarmed. This argument also reflects the extremely intense life style in this society, thus d epic poemting the kinds of vibrant, raw and physicalistic relationships common in this society.\r\nThe different r eactions towards this argument by Blanche and Stella further reflect their characters, as Blanche seems excited by the situation as she says ‘brightly’ ‘did he knock off her? ’, in compare to Stella’s understatement, revealing how she has accepted and is used to this society. Loneliness and the need for Protection? Blanche writes letters to Shep, her high school sweetheart, in which she embellishes facts about herself in order to create a respectable facade to present to him.\r\nThere is also a sense in which she is trying to make this illusion real for herself ? Blanche briefly reveals her misdeeds from her ‘last two years or so, after Belle Reve had digressed to slip’ away from her. She says ‘I never was hard or self-sufficient abundant’ and here we being to learn of Blanche’s experiences and sullied reputation, although the pathos created does evoke discernment for her as we see her (or at least she paints her self) as the victim of a uncivilised, jolty and unromantic world.\r\nAlthough sex is not explicitly mentioned, it is implicitly suggested through her long speech to Stella announcing her reasons for her actions †‘I’ve run for protection’, ‘It isn’t enough to be soft’ ? Blanche’s desires to ‘have’ Mitch are expressed; although it seems that she desires him more for the protection that he can offer her from the harsh world than out of square love. This is implied in Blanche’s selfish ‘I want to rest! I want to occur quietly again! Yes †I want Mitch… very badly! Just think! If it happens!\r\nI can leave here and not be anyone’s problem…’ †the use of ‘if’ suggests a kind of despondency †as if she is clinging to a fragile hope. ?        On pg. 169 Williams evokes kindness for Blanche by portraying her as weak and assailable: Iâ⠂¬â„¢ve run for protection, Stella, from under one leaky roof to another…People don’t see you men don’t-don’t even admit your initiation unless they are making love to you. And you’ve got to have your existence admitted by someone…’ This not save evokes kindness for Blanche but also represents women’s dependance on men in the play and the society of the time.\r\nBlanche further shows that this dependency is not only for financial security but further for happiness and indeed life itself. Fantasy’s unfitness to Overcome Reality .(pg. 165) Blanche: ‘Darling Shep. I am spending the summer on the wing, making flying visits here and there. And who know, perhaps I shall take a sudden notion to swoop down on Dallas! ’ When Blanche is writing her letter to Shep she finds herself telling lies about what she has been up to the past few months. … to the highest degree of my sister’s friends go northwa rds in the summer but some have homes on the Gulf and there has been a continued round of entertainments, teas, cocktails, and luncheons â€â€˜: As the earshot we oscillate between decision Blanche’s lies pathetic, after all she is attempting to seduce this Texas oil millionaire into helping her, and feeling sympathy for her as she is unable or averse to admit that she can no weeklong take part in the indulgences of the stiff, such as ‘spending summer on the wing. ’ Obviously, looking at her surroundings and her dependence on Stella and Stanley she will be doing no such thing.\r\nBeyond this tension in Blanche’s character we can see that Shep is another male figure in the play that Blanche is appealing to. Thus, there is the reoccurrence of the imagination of female dependence on men for financial (and other) security. Stanley attempts to unsettle Blanche’s by asking about a man named Shaw, indicating that he knows about her shady past an d that the illusion of gentility which she has surrounded herself with will soon be challenged by the grievous truths that Stanley has learnt from his contacts.\r\nIn response, and with a touch of desperation, Blanche tells Stanley that he has been told lies and that she would never be seen in a hotel like ‘The Flamingo’; however, her nervous carriage implies that she is lying. Stanley knows the truth and so does Blanche. Stanley seems to the first character of the play to see through Blanche’s ‘show’ as he easily acquires cultivation about Blanche’s past from Shaw. ?        Blanche’s ‘…Of course he †he doesn’t know †I mean I haven’t informed him †of my real age! ’ implies that Blanche is sensitive about her appearance.\r\nShe feels her appearance/beauty is the only thing going for her as she constantly needs reassurance that she maintains a particular ‘young ’ appearance. ?        ‘I want to deceive him enough to make him †want me…’ Although her manipulation of Mitch is selfish, there is pathos in Blanche’s implicit admission that she does not believe herself truly worthy of someone to love her. ?        (pg. 169) the discussion between Blanche and Stella is important relating to this theme, as Blanche suddenly defends herself through her long speech. Men don’t †don’t even admit your existence unless they are making love to you. And you’ve got to have your existence admitted by someone’, here Blanche reveals her emotional need to be recognise and we feel sympathy towards her as women seem to merely be a ray of light used by men for pleasure, a tool which only ‘exists’ if a man recognizes them. throughout this speech by Blanche we see her at her most honest and vulnerable; this tragic manner creates sympathy for her and reflects her nakedness and ultimate need for constant allayer from men.\r\n\r\nBlanche believes that you have to ‘put a †paper lantern over the light’ revealing the mood of lovely day- stargazes verses earthly concern, as she is covering the light / the truth and reveling her inability to face the truth. Furthermore, passim this speech she reveals that she is fading and that she is putting up appearances, one again revealing Blanche as an honest character who knows her that she uses her looks for seduction but who is now, again tragically, aware that this power of hers is fading.\r\n eon we are aware that Blanche did use her grammatical gender for comfort and that she continues to live this ‘pleasant dream’ and create ‘temporary magic’. the absolute absolute volume of the audience probably do infer with Blanche’s approximation of trying to contribute ‘magic’ to the ugly existence and this reveals how Williams possibly appreciates her motives for lying as she is attempting to make the world a better place.         The armorial bearing of paper particularly at the start of this scene is also related to the theme of inability of pleasant illusions to overcome the ugly reality. The letter that Blanche is writing at the start reflects how paper is used to hide reality and lie. It is similar to the legal documents present at the start of the play concerning Belle Reve, while the legal documents dilate the sale of the Belle Reve estate are received they reveal that Blanche’s pretentions and aristocratic grandness are all unfounded.\r\nTherefore the presence of paper here suggests the deterioration of the velocity class since Blanche only appears to be wealthy on paper, thus depicting the crumple of the nonesuchs of the upper class and the possible annihilation of Romance. ? Finally, Blanche’s physical attraction towards the young man enha nces the idea of a pleasant dream and temporary magic as she describes him as a ‘Prince out of the Arabian Nights’ which is representative of her constant attempt to romanticise things by depicting them as more attractive than they really are.\r\nThis ‘ makeing up’ of events and attempts to romanticize them, contrasts to Stella and Stanley’s relationship, which is blunt but pure. The Destructive Nature of Desire/ Sexuality/ Lust ?        Blanche seems to be leading Shep on in her letter as she flirts with the idea of swooping down to Dallas to see him, thus express her lustful and coquettish nature with men. The idea of swooping here seems almost piranay. ?Blanche’s flirtatious and lustful actions towards the young newspaper man slowly begin to reveal her true sexual desires.\r\nThis chance reveals that Blanche’s conservative and proper faced covers a lustful nature; ironically, it is Stella’s sexual rela tionship with Stanley that Blanche condemns; however we learn at this point that she is just the same, perhaps worse than her younger sister and that she is hiding the truth of her past. present we again see Blanche in the role of wicked temptress and the line ‘I’ve got to keep my hands off young boys’ foreshadows Stanley’s later revelations about the reasons for Blanche’s dismissal from the school in Laurel.\r\nBlanche’s attraction to her husband broke her heart, her attraction to other men (especially the soldiers near Belle Reve) undone her reputation in Laurel, her attraction to the schoolboy stop her career there and her final un write out attraction to Stanley (and in particular) his attraction to her will be what eventually steals her sanity. Beyond this, this incident in the play goes to show the audience that Stella uses younger man as a means to build her own conceit and comfort herself as her looks have begun to fade.\r\nThe s cene ends with Mitch’s arrival and Blanche says â€Å"look who’s coming! Bow to me first! Now present them. ” The contrast between this behavior and her obvious lust for the newspaper boy emphasises Blanche’s deceitful nature and the sympathy we feel for Mitch. ?        Although Blanche admits that she ‘want(s) Mitch…very badly! ’ (p. 171) it would be a mistake to interpret this as a sign of passion, it is a more a hunger for protection and shelter. color in  ‘Stanley comes around the corner in his color and scarlet silk bowling shirt’ †the dread(a) appearance of his shirt colour suggests his rubbishy and low status but at the same time its bright resonance suggests life, energy and vitality †in contrast to the exhausted and washed out gabardine of Blanche ?        Blanche: ‘Right on my pretty pureness skirt! ’ †The connotations of the colour wh ite suggest purity. However, in this case, we as the audience know that Blanche is not so pure and wherefore find this ironic.\r\nThe fact that her skirt is ultimately unstained merely suggests her ability to hide her past reputation, her lies and her drink problems. Alcohol/ heater ? Stanley: ‘Naw. She’s getting’ a drink. ’ †This suggests that the majority of the characters turn to alcohol when times live with their relationships. This is further emphasized with Blanche’s drinking and later Stanley’s drinking after getting into an argument with Blanche. Alcohol represents a means of escape for nearly all the characters in the play.\r\nIn Eunice’s case it is from domestic abuse. This type of escape is provokely accepted when Stella says it is more practical than the police. In the case of Blanche her need to drink further shows her need to escape from her situation and reality in general, having just been questioned by Stanley . ? Blanche: ‘Why, you extraordinary thing, you! Is it just coke? ’ †In this case, it is suggested that Blanche had front alcoholic problems as she fails to have a drink without having a shot in her soda. Characters: Blanche Dubois\r\nVisits her younger sister, Stella, and her husband, Stanley, in overbold siege of siege of Orleans and stays with them throughout the summer. She is initially seen as a conservative, proper and condescending however, she drinks, smokes and tells lies to those around her. Stella loves her sister, though Stanley dislikes her, possibly because of the challenge she poses to his dictation of the house and the different value agreement she represents, which is at odds with his own. Blanche is overly concerned with her appearance, accessories and age and therefore doesn’t want to be seen in direct light.\r\nShe has a romance with Mitch in this scene and once again the audience sees the precarious state Blanche is in. She fails to have a full hold the line of reality and her surroundings. Beyond this, she is unable to admit her actions in the past as shown by her denials to Stanley in the scene. Furthermore, she has strong sexual urges as shown by the encounter with the newspaper boy, but she puts on the airs of a charr who has never known indignity. From this scene above all else we find that Blanche avoids reality, preferring to live in her own imagination reaching into this escape again through drink.\r\nStella Kowalski She is Blanches’ younger sister and the wife of Stanley’s, she moved to smart Orleans from Mississippi when she was young and fell in love with Stanley. As the audience, we learn she is significant and is eventually torn between her love for her husband and devotion to her sister. Stella continues to be the gullible ‘foil’ to the other two characters as she represents the majority of us torn between the competing values represented by Blanche (the fine-look ing dreams / lies of aristocratic gentility) and Stanley (the vibrant, thrusting competitive nature of modern Capitalist America.\r\nThroughout this scene Stella is further contrasted with Blanche as Blanche constantly attempts to ‘dress’ events up, however Stella seems to accept the society she has chosen to live in, for instance as when the row between Eunice and Steve is occurring she does not interfere or seem disturbed or exited by the situation, unlike Blanche. Stanley Kowalski Stella’s husband, he is strong and good looking. He works in a factory and has had a confine education. He has trouble controlling his rage. However, he is ‘street smart’ and he is the first one to see through Blanche’s superficial appearance.\r\nHe bowls, drinks and is in love with Stella. Stanley’s insistence on questioning Blanche about a man named Shaw and The Hotel Flamingo shows that he has a personal vendetta to depress and do away with Blanche. F urther Stanley is visualized as a shrewd individual. Although Blanche attempts to subtly insult his lower class position, by brushing off her statements then education questions as to Blanche’s somewhat dusky past Stanley asserts his authority and caves Blanche’s remarks. Mitch Mitch is a friend of Stanley’s from the factory who in this scene develops a romance with Blanche.\r\nFor the majority of the play he is the object of sympathy as the audience see him cheat and talk through ones hatd by Blanche. The end of this scene demonstrates how he is clearly being used to undermine Blanche’s character in our eyeball as she takes advantage of his good natured gentility. Shep Huntleigh Although unobserved throughout the play, Blanche is constantly mentioning him. He is now a Texas millionaire who Blanche used to date in college. Blanche believes that he will save her from the New Orleans trap that she currently lives in.\r\nIn a sense he represents the dream world that Blanche wants to live and the fact that the audience is aware of the implausibility of him coming to delivery Blanche reveals how we are also aware that Blanche’s dreams of safety and happiness are unachievable. Shaw A friend of Stanley’s who also remains unseen throughout the play. He knows of Blanche’s past and reputation, and tells Stanley much of the information he knows that he uses against her. In contrast to Shep, Shaw represents the misdemeanour of unwelcome realities / truths into Blanche’s life.\r\nIn the end he (along with Stanley and Kiefaber) are the ones who tie a tin can to the tail of the increase of Blanche’s dreams. Imagery ; Setting: Scene 5 of A Streetcar Named Desire is mainly set in the Kowalski household. Throughout this scene, we find that Blanche and Stella can hear Eunice and Steve contestation from their apartment above, emphasizing the idea that even the walls seem to be permeable, suggesting lack of privacy, safety, mental home and escape, the very things that Blanche is so desperately in need of.\r\nRelation of Part to full-length: This scene is important as we slowly begin to learn of Blanche’s past through the discussion with Stanley and her lustful actions towards the young newspaper man. Furthermore, the fight between Steve and Eunice and their reconciliation represents another example of the numerous instances of domestic abuse followed by forgiveness that we find throughout the play. This reveals the reliance of the women on men as they return despite the abuse.\r\nThis is accentuated when Blanche’s desire for Mitch is revealed,  when she says ‘I guess I am just feeling nervous about our relations… men lose interest quickly…’ suggesting that she is afraid to lose him as she feels he is her escape from New Orleans and Mississippi. Furthermore, Blanche’s desire for Mitch also reflects her ultimate need for comfort and to have her ‘existence admitted by someone’. though we feel deeply sympathetic towards Blanche in this scene as she seems to reveal and honest side of herself (p. 69 speech) and further conveys her ideal of creating a better impression of reality through her self created ‘temporary magic’, this pathos is ultimately undermined due to artful nature. Finally, this scene additionally develops further the need of drunkenness as some(prenominal) Eunice and Blanche turn to alcohol as means of escaping from meritless situations. Analysis The quarrel between Eunice and Steve reveals a relationship similar to that between Stanley and Stella. Sexual passion is strong, and there are stag violent outbursts from the man. But they are quickly over and the couple makes up.\r\nBoth couples seem happy with this uninhibited state of personal matters; there is a raw animal vigor about it that satisfies the man and seems to shake up admiration in the woman. It is a kind of sensual paradise for them. Not for zero is the area in which they live called the Elysian Fields. The Elysian Fields were the happy sphere in Greek mythology in which those who have found favor with the gods lived forever. This is in complete contrast to Blanche’s fragility and neuroticism. distributively scene reveals more of the real woman behind the facade that she tries so hard to keep up.\r\nHer letter to Shep, for example, reveals her as an thoroughgoing(a) liar, although one senses that it is only desperation that drives her to such lengths. The audience is likely to sympathize with her because she has sizable self-awareness about what is happening to her. She reveals this in her confessions to Stella in this scene. She is a highly sensitive, â€Å"soft” woman, ill-suited to start in a harsh world. If she is not to be destroyed, she must somehow case herself from reality and keep the illusion going, both for herself and others. It is not an easy task.\r\n Blanches deceptions begin to crush in this scene, as Stanley reveals his investigations into her background. He comes decision to an outright accusation, but chooses to instead make sure that Blanche knows that he knows, and to let her hidrosis while wondering exactly how much he has been told. Blanches shadowy past has been foreshadowed since early in the play, but now we begin to see the truth about her background. Blanche is the last member of that long line of aristocrats with â€Å"epic fornications” that led so disastrously to the familys downfall.\r\nStella fly both the responsibility for the familys estate and the core of its common sin, while Blanche is truly one of the family. Blanche expresses to Stella her anxiety about her reputation †she does not want to confess, but wants to find out what Stella already knows. And, tellingly, or else than apologizing she rationalizes her behavior. In a moment of self-awareness †of seeing realistically rather tha n romantically †she admits that she is a soft person, not hard or self-sufficient, but with her go down attractiveness she doesnt know how much longer she can sustain the illusion.\r\nOr, in her interesting choice of words, how much longer she â€Å"can turn the trick. ” This choice of idiom implies that Blanche is prostituting herself †not literally, most likely, but rather that she is using her body and her charms to buy stability and comfort and association in a cruel world, and she is aware that this is a commodity with its finis date fast approaching. But this moment of poetic lucidity is followed by a moment of imbalance, as Blanche shows uncomfortably strong emotion for her sister and then cries out as her drink spills.\r\nStella sees for the first time that her sister is perhaps not quite mentally stable, as her emotions ride far out of sync with the content of the exchange. The heightened unreality that will characterize the tone of the back up half of the play first begins to show here. Although we do not yet hear the Varsouviana or see the shadows on the wall, the balmy inside of Blanches mind is beginning to show from her behavior on stage. Blanche blames her nerves on worry about her relationship with Mitch, making clear her intention to win his hand, to turn one last trick with her worn down propriety and buy herself ome permanent stability. Her affection for Mitch is real, but her concerns for her personal welfare and security are more real, and they drive her to manipulate Mitch into behaving as she desires. Her intentions are undermined in the last part of the scene, before Mitch arrives, when we see a glimpse of just what it means when Blanche says she â€Å"wasnt so good the last two years or so. ” Culture looks more kind on female nymphomaniacs than male †Blanche does not appear to be a predator as she flirts with the paperboy, so much as sad and pathetic.\r\nShe is drawn to children, children who are cl ean-handed and gay as she imagines herself to be. Trapped emotionally in a fictional past †was her childhood so innocent with the epic fornications of her family, or her youthful love so pure with her â€Å"degenerate” husband? †she grasps at the straws of youth that she sees in the paperboy and countless other youths before him. Analysis Note that as soon as Blanche says that she was born under the sign of the virgin, Stanley chooses this moment to ask her about the man named Shaw. Blanche becomes visibly agitated during the cross-examination.\r\nAt the end, when Stanley leaves, she is trembling and in need of a drink. This, then, is Blanches past life beginning to closedown in upon her. This is also the beginning of Stanleys intend to destroy Blanche, and she feels herself being trapped. Thus in this encounter between Blanche and Stanley, Blanche is seeing her own valued world disintegrate under the force of Stanleys attack. This scene also illustrates Williams nitty-gritty for the use of symbols. The astrological signs, the spilled coke on Blanches white dress, and the cherry soda that the young man mentions are all used as slightly suggestive symbols.\r\nAt this point in the drama, the scene with the young boy might seem puzzlingly out of place. It is not until later that we learn Blanche had once married a young boy and had been terribly cruel to him when he most needed her. Therefore, her sexual promiscuity returns to her depravity feelings over her failure to help her young husband. She seeks to relive the past and longs for a young lover to replace the young husband who shot himself. In other words, since she once denied help to her young husband, she now tries to pay up by giving herself to almost anyone.\r\n'